supported by 20 fans who also own “A field perpetually at the edge of disorder”
Total mastery of patience, time, and drama create a constantly engaging journey that never gets tiresome or same-y: in fact the harder you listen the better it gets! Somehow Sorey et al. find a way to combine the deep listening and spontaneous interaction of the best jazz with the sense of every tone and sound being worth a universe of listening, which could be equally from Cage and Feldman or the accompaniment to an ancient ritual.
The recording/engineering is absolutely perfect as well. Giles
supported by 15 fans who also own “A field perpetually at the edge of disorder”
The music of Cecil Taylor is, in my mind, a grand codex to the hidden (occult) corners of the universe and mind. He had this ability to tap into what appeared to be chaos but in truth was not. We, the listeners, are invited to welcome the challenge of understanding his decryption. This monolithic slab of recordings is evidence of the incite and talent he possessed.
Challenging is a word I don't use lightly and this comes from a lover of extreme metal. But, without challenge life is bland. Obstacle of Affliction
supported by 14 fans who also own “A field perpetually at the edge of disorder”
It's almost hard to believe there's any space for Tim to fit in when they play this stuff as a duo! The magical uber-complex counterpoint flowing from and resolving to the killer tunes has a similar feel to the full band Berne but these are clarifying in their complexity - you can understand all the moving parts on the same level. Also perhaps the best showcase of Mr Mitchell's solo skills I've heard - he's fully in his element! Giles